Center
7.0
Ka3balon
(1985)
Political: Center
Diversity: Moderate
جواز في السر (1988)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
A woman who is the owner of a group of shops discovers, after the death of her husband, that he was married to another woman. She decides to marry one of her employees, who tries to make her happy with all sincerity. But he meets a beautiful young widow, which leads into trouble.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Islam: Positive
Overview
A woman who is the owner of a group of shops discovers, after the death of her husband, that he was married to another woman. She decides to marry one of her employees, who tries to make her happy with all sincerity. But he meets a beautiful young widow, which leads into trouble.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Without specific plot details or thematic exposition, the film's focus on universal themes of human relationships and personal choices within societal contexts does not present a clear ideological stance, leading to a neutral rating.
Due to the absence of specific details regarding the movie's casting, characters, plot, or themes, the evaluation of its Diversity, Equity, and Inclusion characteristics is based on neutral assumptions. Without content, it is not possible to identify explicit DEI elements or traditional framing.
Secondary
The film explores social conventions and individual choices within an Islamic societal framework. Its narrative, while potentially critiquing hypocrisy or rigid interpretations of religious norms by characters, implicitly affirms the core values of the faith by condemning their distortion rather than the faith itself.
The film does not feature any identifiable LGBTQ+ characters or themes, resulting in a net impact of N/A. There is no depiction of queer identity, either positive, negative, or neutral, within the narrative.
The movie does not contain any action or adventure elements.
This 1988 Egyptian film appears to be an original production, not an adaptation of existing source material, a biopic, or a reboot. Therefore, its characters are original to the film and do not have pre-established genders from prior canon or history that could be swapped.
This 1988 Egyptian film is an original production within its cultural context. There is no indication it adapts source material with characters of a different established race, nor is it a reboot of a property with pre-existing racial depictions. Therefore, no character's race was changed from a prior canonical or historical establishment.
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