Leans Traditional
6.7
The Green Dinosaur
(2024)
Political: Center
Diversity: Low
No Money I.e. 24 Hours in the Life of Jan Himilsbach (1984)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
More and more mourners join a queue for the stonemason. He is played by Jan Himilsbach (1931-1988), an untrained actor, ("Rejs" 1970) and prose writer ("Przepychanka" 1974). In the film, he works at the Powązki Cemetery in Warsaw. Some of the people begin to argue about the queue order: Piotr Fronczewski (actor), Marek Piwowski (director), Władysław Komar (athlete, actor). Himilsbach wakes up and talks about his gold rush dream with Jack London and Martin Eden. More people join the bar where he waits for 1 p.m. (alcohol is sold then). They ask him for a loan, Zbigniew Buczkowski (actor) is one of them. On the set, Himilsbach is asked to act consciously, however, he is mainly interested in the amount of his fee. Surprisingly enough, he talks about actors and their mission during a meeting with young people in the park. In his dreams, the man sees himself as a seductive satire (colored part). At the very end of the day, the protagonist performs in a cabaret group.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
More and more mourners join a queue for the stonemason. He is played by Jan Himilsbach (1931-1988), an untrained actor, ("Rejs" 1970) and prose writer ("Przepychanka" 1974). In the film, he works at the Powązki Cemetery in Warsaw. Some of the people begin to argue about the queue order: Piotr Fronczewski (actor), Marek Piwowski (director), Władysław Komar (athlete, actor). Himilsbach wakes up and talks about his gold rush dream with Jack London and Martin Eden. More people join the bar where he waits for 1 p.m. (alcohol is sold then). They ask him for a loan, Zbigniew Buczkowski (actor) is one of them. On the set, Himilsbach is asked to act consciously, however, he is mainly interested in the amount of his fee. Surprisingly enough, he talks about actors and their mission during a meeting with young people in the park. In his dreams, the man sees himself as a seductive satire (colored part). At the very end of the day, the protagonist performs in a cabaret group.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film appears to be a character study focusing on the daily life and financial struggles of an unconventional artist. Without explicit narrative elements promoting specific ideological solutions to the depicted problems, the film remains neutral, prioritizing humanistic observation over political advocacy.
This 1983 Polish film, centered on the life of a specific Polish actor, features traditional casting choices consistent with its historical and cultural context. The narrative primarily offers a neutral or positive framing of traditional identities, without explicit critiques or central DEI themes.
Secondary
The film, set in culturally Catholic Poland, portrays Christianity as an integral part of the social fabric and personal lives of its characters, offering a sense of tradition, community, or moral grounding. This depiction aligns with a respectful and sympathetic view of its role in everyday life.
The film, a Polish comedy from 1983, focuses on the daily life of its titular character, Jan Himilsbach. There are no identifiable LGBTQ+ characters or themes present within the narrative, thus no specific portrayal can be assessed according to the rubric.
The movie does not contain any action or adventure elements.
The film is a biographical comedy-drama centered on the real-life Polish actor Jan Himilsbach, who also stars in the film as himself. There is no evidence of any historically or canonically established character being portrayed as a different gender.
The film is a Polish production from 1984, featuring the real-life Polish actor Jan Himilsbach playing himself. There is no indication that any character, historical or fictional, was established as one race and then portrayed as a different race.
More Like This
Leans Traditional
7.0
Letters to Santa
(2011)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Awful Truth
(1937)
Political: Center
Diversity: Low
Leans Traditional
6.8
Definitely, Maybe
(2008)
Political: Center
Diversity: Low
Leans Traditional
6.5
Where Am I Going?
(2016)
Political: Leans Right
Diversity: Low
LGBTQ: Positive
Leans Traditional
7.8
Metropolitan
(1990)
Political: Center
Diversity: Low
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
7.9
When Harry Met Sally...
(1989)
Political: Center
Diversity: Low
Leans Traditional
6.6
Pickled Pink
(1965)
Political: Center
Diversity: Low
Center
6.8
Manitou's Shoe
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.5
Punch-Drunk Love
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mrs. Doubtfire
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.2
Thunderbolt and Lightfoot
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Traditional
7.3
Charlie and the Chocolate Factory
(2005)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
Notting Hill
(1999)
Political: Center
Diversity: Low
Leans Traditional
8.2
Wallace & Gromit: The Curse of the Were-Rabbit
(2005)
Political: Center
Diversity: Low
Leans Traditional
8.3
Life of Brian
(1979)
Political: Center
Diversity: Low
Leans Traditional
8.7
The Gold Rush
(1925)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Darjeeling Limited
(2007)
Political: Center
Diversity: Low