Traditional
6.7
Yeh Vaada Raha
(1982)
Political: Leans Right
Diversity: Low
Boys' Home in Ahmednagar (1905)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
What’s the hidden message inside this intriguing film, shot at a Salvation Army establishment in western India?
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Positive
Overview
What’s the hidden message inside this intriguing film, shot at a Salvation Army establishment in western India?
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject, a boys' home, addresses broadly humanitarian concerns about child welfare and institutional care, which lack an inherent partisan political valence. Without any specific narrative details, character arcs, or championed solutions, it is impossible to determine a political bias, resulting in a neutral rating.
The film's setting in an Indian boys' home inherently presents a diverse cast, without involving explicit recasting of traditionally white roles. The narrative, based on the title, does not indicate an explicit critique or promotion of traditional identities.
Secondary
The film, a short documentary from 1905, implicitly portrays Christianity in a positive light by showcasing the benevolent work of a boys' home, likely run by missionaries. It aligns with the perceived virtues of providing care and education to children in colonial India.
The provided information for 'Boys' Home in Ahmednagar' lacks any plot or character details, making it impossible to assess the presence or portrayal of LGBTQ+ themes. Consequently, no depiction can be identified based on the given input.
The movie does not contain any action or adventure elements.
This 1905 film is a documentary-style piece depicting a 'Boys' Home.' There are no pre-existing characters from source material, history, or prior adaptations whose gender could have been altered for this portrayal.
This 1905 film, likely a documentary or early non-fiction piece, depicts real individuals in a boys' home in Ahmednagar, India. There is no prior canon, source material, or historical record establishing the race of these specific individuals before the film's creation that could be subject to a race swap.
More Like This
Leans Traditional
7.3
Andaz Apna Apna
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.1
Qayamat Se Qayamat Tak
(1988)
Political: Center
Diversity: Low
Progressive
9.0
Ocean with David Attenborough
(2025)
Political: Strong Left
Diversity: High
Traditional
7.9
Satyakam
(1969)
Political: Leans Right
Diversity: Low
Leans Progressive
7.5
7 Khoon Maaf
(2011)
Political: Center
Diversity: High
Leans Traditional
7.3
Lakshya
(2004)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.7
Aa Naluguru
(2004)
Political: Center
Diversity: Low
Progressive
7.9
Before Stonewall
(1984)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Traditional
6.7
Pukar
(2000)
Political: Strong Right
Diversity: Low
Progressive
8.3
Grenfell: Uncovered
(2025)
Political: Strong Left
Diversity: High
Leans Traditional
7.5
Annamalai
(1992)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.7
Namak Halaal
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.0
Chandramukhi
(2005)
Political: Center
Diversity: Low
Progressive
7.4
Fahrenheit 9/11
(2004)
Political: Strong Left
Diversity: High
Center
6.9
Dasavatharam
(2008)
Political: Center
Diversity: Moderate
Leans Traditional
6.7
Socha Na Tha
(2005)
Political: Center
Diversity: Low
Progressive
7.3
Gulaal
(2009)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Traditional
7.8
Mer
(1902)
Political: Center
Diversity: Low
Center
8.2
Zindagi Na Milegi Dobara
(2011)
Political: Center
Diversity: Moderate