Center
7.0
Group of dancers
(1905)
Political: Center
Diversity: Moderate
Scenes in China (1902)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
This remarkable record of Kunming, regional capital of Yunnan Province, southwest China, was shot by French consul and hobbyist filmmaker Auguste François in the dying years of the Qing dynasty. The five astonishing, intimate scenes show a bustling market by the city wall, a rabble of Miao soldiers training, a wealthy couple dining, lounging opium smokers and an opera performed at a private party.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
This remarkable record of Kunming, regional capital of Yunnan Province, southwest China, was shot by French consul and hobbyist filmmaker Auguste François in the dying years of the Qing dynasty. The five astonishing, intimate scenes show a bustling market by the city wall, a rabble of Miao soldiers training, a wealthy couple dining, lounging opium smokers and an opera performed at a private party.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is a historical record depicting an event related to the British Empire and its Indian contingent. Without explicit narrative or commentary, it functions as an observational document rather than promoting a specific political ideology, thus earning a neutral rating.
The film's subject matter inherently features a non-white group, reflecting diversity through its focus on an Indian contingent. However, its nature as a 'review' suggests a neutral, observational framing without explicit DEI narratives or critiques of traditional identities.
Secondary
The evaluation of 'Review of the Indian Contingent at Hampton Court' for LGBTQ+ portrayal is N/A, as no film content, plot details, or character information was provided. Without any narrative elements, it is impossible to determine if LGBTQ+ characters or themes are present or how they might be depicted.
The movie does not contain any action or adventure elements.
The film is a 1902 documentary-style recording of a real event, depicting actual members of the Indian Contingent. It does not feature fictional characters or adapt historical figures in a way that alters their documented gender.
This 1902 film is a historical depiction of a real-world event involving an "Indian Contingent." As a documentary-style recording, it portrays the actual individuals present, not fictional characters with established canonical races or historical figures being recast. Therefore, no race swap occurs.
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