Leans Traditional
8.3
Boogie Nights
(1997)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Across the Mountain Passes of New Zealand (1910)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
This travelogue was made by the French company Pathé Frères. An article in The Dominion newspaper in February 1910 reported that “through the medium of the kinematograph the public now know many people, cities, and scenic spots ‘by sight’ that they would not otherwise have known”.” Across the Mountain Passes of New Zealand was coloured using Pathécolor – the best of early colour processes. The process utilised a multitude of female colourists, who cut stencils for each colour in each frame of film and then laboriously hand-coloured each frame.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
This travelogue was made by the French company Pathé Frères. An article in The Dominion newspaper in February 1910 reported that “through the medium of the kinematograph the public now know many people, cities, and scenic spots ‘by sight’ that they would not otherwise have known”.” Across the Mountain Passes of New Zealand was coloured using Pathécolor – the best of early colour processes. The process utilised a multitude of female colourists, who cut stencils for each colour in each frame of film and then laboriously hand-coloured each frame.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's focus on geographical exploration and natural landscapes is inherently apolitical, offering no discernible political problem or solution, and thus no basis to infer any specific ideological bias.
This film, a documentary focusing on the mountain passes of New Zealand, does not present any explicit DEI characteristics in its representation or narrative. Its content is assumed to be a neutral portrayal of its subject matter without intentional social commentary or diverse casting choices.
Secondary
This film is a historical travelogue documenting the natural beauty of New Zealand. As a non-narrative piece, it does not include characters or storylines, and consequently, there are no identifiable LGBTQ+ depictions or themes present.
The movie does not contain any action or adventure elements.
The 1910 film, likely a travelogue or early drama, does not feature characters with pre-established genders from source material, prior installments, or widely known historical records that could be subject to a gender swap.
This 1910 film is a documentary/travelogue depicting New Zealand landscapes and possibly local inhabitants. It does not feature named, plot-relevant characters with established canonical or historical races, therefore the concept of a 'race swap' does not apply.
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