
Not Rated
Not to be confused with Robert Withers's 1979 "16 Millimeter Earrings" which builds upon this work, Meredith Monk's 1966 "16 Millimeter Earrings" is a black and white film of a woman holding a magnifying glass to each eye and tearing apart several wigs.
Not to be confused with Robert Withers's 1979 "16 Millimeter Earrings" which builds upon this work, Meredith Monk's 1966 "16 Millimeter Earrings" is a black and white film of a woman holding a magnifying glass to each eye and tearing apart several wigs.
Screen Test [ST2]: Charles Aberg is rated 0 because its central subject matter—a silent, unedited portrait of an individual—is inherently apolitical, focusing on human presence and the act of observation rather than any specific socio-political issue or ideology.
This film, a static portrait of a single individual, features a traditional subject without any explicit diversity in casting or character roles. Its observational nature provides no narrative or framing that critiques traditional identities or explicitly promotes DEI themes.
Andy Warhol's "Screen Test [ST2]: Charles Aberg" is a silent, unedited film portrait. It offers no narrative, dialogue, or thematic content related to LGBTQ+ characters or themes, thus providing no identifiable portrayal.
The movie does not contain any action or adventure elements.
The film is a direct screen test of the real-life individual Charles Aberg, who is portrayed as male, consistent with his historical gender. There is no instance of a character established as one gender being portrayed as another.
The film is a direct portrait of Charles Aberg, a real person, who portrays himself. There is no established prior canonical or historical depiction of Charles Aberg as a different race.