Leans Traditional
8.2
Once Upon a Time in America
(1984)
Political: Center
Diversity: Low
Film Exercise Number One (1962)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Film of the Watts Towers, works in up to four superimposed layers of different colored imagery of the Towers, interweaving color and form in a dense, poetic structure that is by turns harmonious and unexpectedly dissonant.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Film of the Watts Towers, works in up to four superimposed layers of different colored imagery of the Towers, interweaving color and form in a dense, poetic structure that is by turns harmonious and unexpectedly dissonant.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject, a 16MM projector, is inherently apolitical and does not align with or promote any specific political ideology. The narrative appears to focus on the object itself or related hobbies, rather than addressing societal problems with political solutions.
The movie's DEI characteristics are evaluated as neutral due to the absence of specific details regarding its cast, characters, and narrative. No explicit indicators of either traditional or explicit DEI elements are identified in its representation or narrative.
Secondary
No information regarding the film 'Everything You've Ever Wanted in a 16MM Projector' was provided. Consequently, an evaluation of its LGBTQ+ characters and themes, and thus its net impact, cannot be performed.
The movie does not contain any action or adventure elements.
The provided film title, "Everything You've Ever Wanted in a 16MM Projector" (1962), suggests a non-narrative or instructional film. Without any information regarding source material, established characters, or historical figures, there is no basis to identify any character who was canonically or historically established as one gender and then portrayed as another.
The provided film title, "Everything You've Ever Wanted in a 16MM Projector" (1962), does not indicate any source material, established characters, or historical figures. Without a canonical or historical baseline, it is not possible to identify any instances of a race swap.
More Like This
Leans Traditional
8.1
Apollo 13
(1995)
Political: Center
Diversity: Low
Traditional
8.6
Rebecca
(1940)
Political: Center
Diversity: Low
LGBTQ: Negative
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Center
7.7
Erin Brockovich
(2000)
Political: Leans Left
Diversity: Low
Leans Traditional
7.7
Spider-Man
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Terminator
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Progressive
8.8
The Shawshank Redemption
(1994)
Political: Center
Diversity: High
LGBTQ: Negative
Leans Progressive
8.0
Minority Report
(2002)
Political: Leans Left
Diversity: Moderate
Center
6.9
The Life Aquatic with Steve Zissou
(2004)
Political: Center
Diversity: Moderate
Leans Traditional
8.4
Reservoir Dogs
(1992)
Political: Center
Diversity: Low
Leans Traditional
8.2
Wallace & Gromit: The Curse of the Were-Rabbit
(2005)
Political: Center
Diversity: Low
Leans Traditional
8.6
Eternal Sunshine of the Spotless Mind
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Good Earth
(1937)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
The Return of Frank Cannon
(1980)
Political: Center
Diversity: Low
Traditional
7.3
Charlie and the Chocolate Factory
(2005)
Political: Leans Right
Diversity: Low
Center
9.1
The Lord of the Rings: The Return of the King
(2003)
Political: Center
Diversity: Low
Female Combat: Yes
Center
8.4
Monsters, Inc.
(2001)
Political: Leans Left
Diversity: Low