Progressive
6.8
"Please Kill Me, I'm a Faggot Nigger Jew"
(1996)
Political: Strong Left
Diversity: High
LGBTQ: Negative
A Finnish Filmmaker in Hollywood (1947)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Director Arvo Tamminen and actor Tuulikki Paananen visit Hollywood in this documentary film. The two have a look around the Metro-Goldwyn-Mayer studio lot, where they meet MGM's famous lion mascot and some talented elephants. Palm trees sway on the streets of Hollywood, and the narrative captions tell us to watch out for plastic set pieces and vines from a Tarzan film.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Director Arvo Tamminen and actor Tuulikki Paananen visit Hollywood in this documentary film. The two have a look around the Metro-Goldwyn-Mayer studio lot, where they meet MGM's famous lion mascot and some talented elephants. Palm trees sway on the streets of Hollywood, and the narrative captions tell us to watch out for plastic set pieces and vines from a Tarzan film.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Due to the complete absence of information regarding the film's plot, themes, or subject matter, an objective assessment of political bias is not possible, resulting in a neutral rating.
Due to the absence of specific movie details regarding casting, character roles, or narrative themes, a comprehensive evaluation of its Diversity, Equity, and Inclusion characteristics cannot be performed. The assigned rating reflects a neutral default, as no information was provided to indicate either explicit DEI efforts or a traditional approach.
Secondary
No information about the film '{18. April}' was provided, preventing an assessment of LGBTQ+ characters or themes. Thus, no evaluation could be made based on the given input.
The movie does not contain any action or adventure elements.
The provided information for the film "{18. April} ({movie}, {1947})" is limited to its title, year, and director. Without details on its source material, specific characters, or their canonical/historical genders, it is impossible to determine if any gender swaps occurred.
The film "18. April" from 1947 is not widely known to be an adaptation of source material with pre-established character races, nor is it a biopic where a historical figure's race was altered. Without prior canon, a race swap cannot be identified.
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