Leans Traditional
8.2
Once Upon a Time in America
(1984)
Political: Center
Diversity: Low
No Bed of Roses (1974)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
A film by Peri Muldofsky made while she was part of the Young Filmaker's Foundation. On her own words about the film "I had unfortunately fallen in love and had my heart broken, and somehow I thought I could make a film about that internal state, which, at eighteen years old, you can't! I had no idea what I was doing. I had a would-be actress, and she changed her hair in the middle of the shoot and didn't understand why that mattered. I didn't know how to direct actors. I never really understood coverage so everything I filmed was a long shot. I didn't even know you were supposed to move the camera. And then when I started to edit [the film], it was impossible. It was really upsetting."
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Negative
Islam: Negative
Overview
A film by Peri Muldofsky made while she was part of the Young Filmaker's Foundation. On her own words about the film "I had unfortunately fallen in love and had my heart broken, and somehow I thought I could make a film about that internal state, which, at eighteen years old, you can't! I had no idea what I was doing. I had a would-be actress, and she changed her hair in the middle of the shoot and didn't understand why that mattered. I didn't know how to direct actors. I never really understood coverage so everything I filmed was a long shot. I didn't even know you were supposed to move the camera. And then when I started to edit [the film], it was impossible. It was really upsetting."
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, core conflict, and proposed solutions could not be identified from the provided information, leading to a default neutral assessment of political bias.
Based on the limited information provided (only title and director), this evaluation assumes a neutral position regarding the movie's representation and narrative framing. Without specific details on casting or plot, it is not possible to identify explicit DEI initiatives or traditional portrayals. Consequently, the movie is assessed as having a light presence of DEI.
Secondary
The film depicts Christian institutions and figures as integral to the historical cycle of power, conflict, and destruction, showing them wielding the 'baton' of authority in ways that contribute to human suffering, aligning with the film's overall critique of humanity's destructive tendencies.
The film includes Islamic empires and religious figures within its allegorical sweep of history, portraying them as central to power dynamics and conflicts, thus contributing to the film's overall message about humanity's cyclical destruction.
Based on the provided information, an evaluation of 'The Baton's' portrayal of LGBTQ+ characters and themes cannot be conducted. The input did not include any details about the film's content relevant to LGBTQ+ representation, leading to an N/A assessment.
The movie does not contain any action or adventure elements.
Information regarding the film 'The Baton' (1974) directed by Norman Rose is not readily available, making it impossible to identify any characters or source material to assess for gender swaps. Therefore, no gender swap can be confirmed.
Information regarding the film "The Baton" (1974), its characters, or any source material is not available. Without established canonical or historical racial depictions, no race swap can be identified.
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