Leans Traditional
7.0
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Dreamers (1934)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
About an international brigade that fought during the years of the civil war in Donbass. About how people of different nationalities, dreaming of a peaceful life, begin to rebuild the destroyed economy.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
About an international brigade that fought during the years of the civil war in Donbass. About how people of different nationalities, dreaming of a peaceful life, begin to rebuild the destroyed economy.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title "Autopolis" suggests an exploration of a city or society shaped by automobiles and automation. Without specific plot details or thematic content, it is impossible to identify a dominant political message, leading to a neutral rating.
Given the historical context of the director and the era in which the film was made, it is highly improbable that 'Autopolis' would feature intentional DEI-driven casting or narratives that explicitly critique traditional identities. The film's characteristics are consistent with the traditional cinematic practices of its time.
Secondary
Based on available information, the film 'Autopolis' by Léon Poirier does not appear to feature any identifiable LGBTQ+ characters or themes. Therefore, its net impact on LGBTQ+ portrayal is considered N/A, as there is no depiction to evaluate.
The movie does not contain any action or adventure elements.
Autopolis (1934) is a documentary film about the automobile industry and traffic. It does not feature fictional characters from source material or specific historical figures whose canonical gender could be altered, thus the concept of a gender swap does not apply.
Autopolis (1934) is a French film, likely a documentary or short, without known pre-existing source material or established characters whose race could be canonically altered. Therefore, no race swap is applicable.
More Like This
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
6.6
Don't Leave Your Lovers
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.3
Antarctic Tale
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Traditional
7.2
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Lonely Businessman's Big Score
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.5
Come and See
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.1
Dead Man's Letters
(1986)
Political: Center
Diversity: Low
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Juno and Avos
(1983)
Political: Center
Diversity: Low
Leans Traditional
6.9
Broken Circle
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.0
Right to Choose
(1984)
Political: Center
Diversity: Low
Leans Traditional
6.6
Three People on a Highway
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.4
Could One Imagine?
(1981)
Political: Center
Diversity: Low
Traditional
6.8
Semyon Dezhnyov
(1983)
Political: Leans Right
Diversity: Low
Traditional
6.8
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
34th Express
(1981)
Political: Center
Diversity: Low