Leans Traditional
6.6
Hinterholz 8
(1998)
Political: Center
Diversity: Low
Das Mirakel (1912)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Film version of Max Reinhardt's play, presented in London in 1911. According to medieval legend, a nun leaves her convent to follow a knight. While she's away, the statue of the Virgin Mary miraculously takes her place, protecting her honor until she returns.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
Film version of Max Reinhardt's play, presented in London in 1911. According to medieval legend, a nun leaves her convent to follow a knight. While she's away, the statue of the Virgin Mary miraculously takes her place, protecting her honor until she returns.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central narrative champions traditional religious values, the sanctity of vows, and divine redemption as the solution to moral transgression, reinforcing an established faith-based order.
This 1912 German silent film features traditional casting practices typical of its era, primarily with white actors. Its narrative, based on a medieval miracle play, focuses on religious themes without critiquing traditional identities or incorporating explicit diversity, equity, and inclusion themes.
Secondary
The film portrays Christianity with reverence, depicting a divine miracle where the Virgin Mary intervenes to protect a nun who abandoned her vows. This narrative emphasizes divine mercy and the power of faith, aligning with the virtues and dignity of the Christian tradition.
Based on available plot summaries and historical context, Max Reinhardt's 1912 film "Das Mirakel" does not appear to contain any identifiable LGBTQ+ characters or themes. The story focuses on a nun's journey of temptation and redemption, with no elements suggesting queer representation.
The movie does not contain any action or adventure elements.
The film adapts a medieval miracle play. Its central characters, including the nun, the knight, and the Virgin Mary, are portrayed with the same genders as established in the source material, without any changes.
Based on the film's 1912 production date, its European medieval setting, and the lack of any historical or canonical information suggesting a character's race was altered from established source material, there is no evidence of a race swap.
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