Leans Traditional
7.5
Arthur Christmas
(2011)
Political: Center
Diversity: Low
Nhô Anastácio Chegou de Viagem (1908)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
An old farmer named Nhô Anastácio arrives in the capital for the first time. While visiting Rio de Janeiro's tourist attractions, he meets a singer and flirts with her until his wife arrives from the countryside. (Synopsis based on the book "Este Mundo É um Pandeiro . a Chanchada de Getulio a Jk" by Sergio Augusto)
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
An old farmer named Nhô Anastácio arrives in the capital for the first time. While visiting Rio de Janeiro's tourist attractions, he meets a singer and flirts with her until his wife arrives from the countryside. (Synopsis based on the book "Este Mundo É um Pandeiro . a Chanchada de Getulio a Jk" by Sergio Augusto)
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's narrative primarily focuses on character relationships, action, and the romanticization of outlaws within a Western setting, without explicitly promoting a specific political ideology or offering a societal solution. Its controversial nature stemmed from sexual content, not political messaging.
This classic Western features a traditional cast and narrative, focusing on established archetypes of the genre. The film does not incorporate explicit DEI themes, nor does it critique traditional identities or roles.
Secondary
The film 'The Outlaw' (1910), directed by Wallace McCutcheon Sr., does not feature any discernible LGBTQ+ characters or themes. Based on available historical records and plot descriptions for this early silent film, there is no indication of such content, resulting in an N/A determination for its portrayal of LGBTQ+ issues.
The movie does not contain any action or adventure elements.
This 1908 film is an original production with no established prior source material, historical figures, or previous installments. Therefore, its characters are considered new and original to the film, precluding any gender swaps.
As a 1908 film, "The Outlaw" predates most modern forms of established canon. There is no evidence of pre-existing source material, historical figures, or prior widely established character races that could have been altered in this production.
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