Leans Traditional
0.0
Pierrot Cries
(1924)
Political: Center
Diversity: Low
Heroism of an Aviator in tripoli (1912)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Lost Film Dora production possibly featuring Elvira Notari herself
Starring Cast
Bias Dimensions
Political: Strong Right
Diversity: Low
Christianity: Positive
Islam: Negative
Overview
Lost Film Dora production possibly featuring Elvira Notari herself
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis explicitly promotes nationalist and militaristic ideology by glorifying military heroism and colonial expansion during the Italo-Turkish War.
Produced in 1912 and focusing on an Italian aviator during wartime, the film likely features traditional casting with a predominantly European male presence. The narrative is expected to portray traditional identities, particularly military figures, in a heroic and positive light, without engaging in modern DEI themes or critiques.
Secondary
The film, an Italian production about Italian heroism during the Italo-Turkish War, implicitly aligns with the Christian (Catholic) identity of the Italian nation, portraying it as the virtuous background of its protagonists.
As a film depicting the Italo-Turkish War from an Italian perspective, Islam is likely associated with the 'enemy' Ottoman and Libyan forces, contributing to a portrayal that reinforces negative stereotypes or positions it as 'other' in opposition to the 'heroic' Italian (Christian) forces.
The film 'Heroism of an Aviator in Tripoli' is a 1912 silent drama focused on a patriotic narrative during the Italo-Turkish War. There is no evidence from available plot descriptions or historical context to suggest the inclusion of LGBTQ+ characters or themes, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
This 1912 silent film is an early original production. There is no known prior source material or historical record establishing its characters with a different gender before this film's creation. Therefore, no gender swap can be identified.
The 1912 silent film 'Heroism of an Aviator in Tripoli' does not involve adaptations of source material with established character races, nor is it a biopic where a historical figure's race was altered. The concept of a 'race swap' as defined is not applicable to this film's context.
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