Leans Traditional
7.5
The Making of 'American Graffiti'
(1998)
Political: Center
Diversity: Low
Tide (1966)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
In the late sixties I picked up my seldom used Arri 35mm camera and set off for the famous tidal flats of Nova Scotia. This fragment is of an elderly farmer who fished a weir using his horse and carriage to go out to it with the ebbing time and home with the incoming tide. I thought I saw a nice structure for a film that even included the element of chase, that old standby of film narrative. Would the carriage get home before being engulfed by the incoming tide, would the fog appear and obscure all points of reference?
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Buddhism: Positive
Overview
In the late sixties I picked up my seldom used Arri 35mm camera and set off for the famous tidal flats of Nova Scotia. This fragment is of an elderly farmer who fished a weir using his horse and carriage to go out to it with the ebbing time and home with the incoming tide. I thought I saw a nice structure for a film that even included the element of chase, that old standby of film narrative. Would the carriage get home before being engulfed by the incoming tide, would the fog appear and obscure all points of reference?
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's political bias could not be assessed due to the complete absence of plot details, character arcs, or thematic information, leading to a default neutral rating.
Based on the provided title, this Chinese film is assessed as having a neutral stance on Diversity, Equity, and Inclusion. Without specific details on its casting or narrative, there is no indication of explicit DEI-driven casting or a particular framing of traditional identities or DEI themes within the story.
Secondary
The film portrays Buddhist principles and monastic figures as sources of spiritual wisdom and protection against supernatural threats. Monks are depicted as capable and morally upright, affirming the efficacy of their practices within the narrative.
Due to the absence of any film details, including plot points, character descriptions, or thematic content, an evaluation of LGBTQ+ portrayal cannot be conducted. Therefore, the net impact is categorized as N/A, indicating no identifiable LGBTQ+ characters or themes could be assessed.
The movie does not contain any action or adventure elements.
This 1966 adaptation of Jin Yong's novel "The Book and the Sword" portrays its established characters with their canonical genders. No significant character, originally male or female in the source material, is depicted as a different gender in the film.
This 1966 Hong Kong wuxia film features an entirely East Asian cast portraying characters within a traditional Chinese setting. There is no indication of any character being canonically established as a different race in source material, nor any historical figures being portrayed by actors of a different race. Therefore, no race swaps are present.
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