Leans Traditional
7.0
Cross of Iron
(1977)
Political: Center
Diversity: Low
The Secret of Santa Margherita (1921)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Follows a fictitious account about Archduke Johann Salvator of Austria, known as Johann Orth, after he renounces his titles.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
Follows a fictitious account about Archduke Johann Salvator of Austria, known as Johann Orth, after he renounces his titles.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
As a film commemorating the Fourth Centenary of Magellan's circumnavigation, its likely focus on historical achievement, the spirit of exploration, and national pride aligns with traditional conservative values, leading to a right-leaning bias.
This historical commemorative film about Ferdinand Magellan's circumnavigation features traditional casting appropriate for its subject and likely production era. The narrative focuses on celebrating historical achievements without critiquing traditional identities or incorporating explicit DEI themes.
Secondary
The film commemorates Ferdinand Magellan's voyage, an expedition deeply intertwined with the spread of Christianity by European powers. As a 1921 commemorative piece, it likely presents Christianity as a foundational and positive aspect of the expedition's motivations and identity, aligning with the virtues and dignity of the faith from the perspective of the era.
Cuarto Centenario de Magallanes is a 1920 Chilean historical documentary. Its narrative focuses on the commemoration of Ferdinand Magellan's circumnavigation, and it does not feature any identifiable LGBTQ+ characters or themes, resulting in no portrayal.
The movie does not contain any action or adventure elements.
The film is a historical drama commemorating Ferdinand Magellan, a well-documented male historical figure. There is no evidence or historical record to suggest that Magellan or any other established historical character in the film was portrayed as a different gender.
There is no historical record or widely known information indicating that any canonically or historically established character in this 1921 film was portrayed by an actor of a different race.
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