Leans Progressive
7.1
The Director of the Foster Home
(1984)
Political: Strong Left
Diversity: Low
Our Guy (1930)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
A student intern, Dmitry Lopukhov, comes to the cable factory and quickly gains a reputation as a trustworthy guy. Soon he is appointed to the position of engineer to replace Shtokman, who has been accused of fraud. At the same time, Lopukhov befriends his former classmate, the son of the fired Stockman, and decides to achieve a "beautiful life" at any cost-one that is no worse than Stockman's. The news of his wife's pregnancy goes against his plans. He advises his wife to get rid of the child, but the offended Nina files for divorce. Lopukhov becomes entangled in his ties with Stockman, and under his influence, commits a crime.He is exposed. Nina, after graduating from the institute, returns to the factory and becomes a good specialist.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Low
Overview
A student intern, Dmitry Lopukhov, comes to the cable factory and quickly gains a reputation as a trustworthy guy. Soon he is appointed to the position of engineer to replace Shtokman, who has been accused of fraud. At the same time, Lopukhov befriends his former classmate, the son of the fired Stockman, and decides to achieve a "beautiful life" at any cost-one that is no worse than Stockman's. The news of his wife's pregnancy goes against his plans. He advises his wife to get rid of the child, but the offended Nina files for divorce. Lopukhov becomes entangled in his ties with Stockman, and under his influence, commits a crime.He is exposed. Nina, after graduating from the institute, returns to the factory and becomes a good specialist.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly critiques the systemic denial of war's horrors and implicitly advocates for confronting reality, aligning with progressive anti-war and humanistic values.
This experimental animated film from 1944 does not exhibit explicit diversity in its representation or narrative. Its historical context and abstract nature suggest a traditional approach without intentional DEI-driven casting or critical framing of traditional identities.
Secondary
The film 'Pharmacy' by Franciszka Themerson could not be identified in available film databases or historical records. Consequently, there is no information to evaluate its portrayal of LGBTQ+ characters or themes, leading to an N/A assessment.
The movie does not contain any action or adventure elements.
Pharmacy is an original, experimental animated short film from 1930. It does not adapt any source material with pre-established characters or historical figures, nor does it feature legacy characters. Therefore, the concept of a gender swap does not apply.
The film "Pharmacy" (1930) is an experimental, abstract work that does not feature named characters or adaptations of source material with established racial identities. Therefore, the concept of a race swap does not apply.
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