Traditional
7.1
Air Force Elite: Thunderbirds
(2025)
Political: Strong Right
Diversity: Low
Examples of Color Cinematography Produced by the Kodachrome Process (1926)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
"This compilation of prints made in 1925 and 1926 highlights the strengths of the process with scenes of sumptuous clothing and fabrics, life-like shots of fruit, advertising setups, and abstract kaleidoscopic views. Prominently featured are shots of actress/model Hope Hampton, showcasing the latest French fashions from designers including the House of Worth, Lanvin, and Jean Magnin. These scenes were originally featured in the 1926 shorts Parisian Modes in Colour and Colorful Fashions from Paris, both of which were photographed in Kodak’s color film studio at the Eastman School of Dance and distributed across the US by Educational Pictures as part of the McCall’s Color Fashion News series." — James Layton
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Judaism: Negative
Overview
"This compilation of prints made in 1925 and 1926 highlights the strengths of the process with scenes of sumptuous clothing and fabrics, life-like shots of fruit, advertising setups, and abstract kaleidoscopic views. Prominently featured are shots of actress/model Hope Hampton, showcasing the latest French fashions from designers including the House of Worth, Lanvin, and Jean Magnin. These scenes were originally featured in the 1926 shorts Parisian Modes in Colour and Colorful Fashions from Paris, both of which were photographed in Kodak’s color film studio at the Eastman School of Dance and distributed across the US by Educational Pictures as part of the McCall’s Color Fashion News series." — James Layton
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter, an external alien threat, does not inherently align with a specific political ideology, and without further plot details, the narrative is evaluated as neutral.
Based on the absence of specific information regarding casting and narrative choices, the film is assessed as likely adhering to traditional representation and framing, without explicit DEI elements.
Secondary
The film, consistent with its Soviet-era context, portrays Christianity as a superstitious and oppressive force, hindering social progress and aligning with outdated societal structures.
Judaism is depicted negatively, often associated with traditionalism or insularity that conflicts with the film's progressive, socialist ideals.
Based on the information provided, the film's content regarding LGBTQ+ characters and themes could not be evaluated, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
The 1926 film "Чужие" by Boris Svetlov is an original work with no known prior source material or established canon. Without a baseline for character genders, it is not possible to identify any instances of gender swaps according to the provided definition.
The film 'Чужие' (1926) directed by Boris Svetlov cannot be identified or verified through available databases. Without verifiable information about the film or its characters, it is not possible to determine if any race swaps occurred.
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