Leans Traditional
8.0
The Fighter
(2010)
Political: Center
Diversity: Low
Story of Christ (1905)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Story of the life of Christ. Includes, among other scenes, the Nativity; Jesus driving the money changers out of the temple; Jesus walking upon the waters; Jesus raising Lazarus from the dead; Calvary; the Crucifixion; the Resurrection.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
Story of the life of Christ. Includes, among other scenes, the Nativity; Jesus driving the money changers out of the temple; Jesus walking upon the waters; Jesus raising Lazarus from the dead; Calvary; the Crucifixion; the Resurrection.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
This film is rated neutral due to the complete lack of specific plot details, making any objective assessment of political bias impossible. The historical context of a 1906 silent film about a curate suggests a focus on individual morality or social dynamics rather than modern ideological conflicts.
This early 20th-century film reflects the traditional casting and narrative conventions of its era. Its representation primarily features mainstream actors, and the storyline does not engage with critiques of traditional identities or explicit diversity, equity, and inclusion themes.
Secondary
The film satirizes the hypocrisy of a Christian clergyman, depicting a curate engaging in un-clerical behavior. This comedic exposé critiques the institution or its representatives by highlighting their human failings, thus casting a negative light on the public religious role.
This early silent comedy focuses on the humorous misadventures of a curate. The narrative does not feature any identifiable LGBTQ+ characters or themes, resulting in a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
The film features a male curate, consistent with the historical and canonical understanding of the role. There is no evidence of any character established as one gender being portrayed as another.
This 1905 film is an original production, not an adaptation of existing material or a biopic. There are no prior canonical or historical racial depictions for its characters to be compared against, thus no race swap can be identified.
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