Leans Traditional
8.3
Boogie Nights
(1997)
Political: Center
Diversity: Moderate
LGBTQ: Negative
SCENES FROM A SHETLAND CROFT LIFE (1932)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
How peat is cut using a "tushkar" and made ready to be used as fuel in a croft in the Shetland Isles.
Starring Cast
Bias Dimensions
Political: Strong Right
Diversity: Moderate
Overview
How peat is cut using a "tushkar" and made ready to be used as fuel in a croft in the Shetland Isles.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film explicitly promotes extreme Japanese nationalism, militarism, and imperial expansionism, framing conquest as liberation. Its central thesis aligns with far-right ideology, particularly as WWII propaganda.
This 1945 Japanese animated film features casting traditional to its cultural context, without engaging with Western concepts of mainstream roles or DEI-driven casting. However, its narrative explicitly frames caricatures of Westerners as antagonists, portraying them negatively as villains in a manner consistent with wartime propaganda.
Secondary
Momotaro Under the Sea, a 1945 Japanese animated propaganda film, does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely focused on its wartime message and military exploits, with no elements pertaining to queer identity or experiences.
The movie does not contain any action or adventure elements.
The film features Momotaro, a character from Japanese folklore traditionally depicted as male. His portrayal in the film aligns with this established gender, and there are no instances of other canonically established characters undergoing a gender swap.
Momotaro is a character from Japanese folklore, inherently depicted as Japanese. This 1932 animated film is a Japanese production, and there is no indication that Momotaro or any other established character is portrayed as a different race than their canonical origin.
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