
Not Rated
In the screen shows a woman and a man in front of a white box. After a while another man comes in and takes away the box. At that point the projection is stopped and the lights in the space are lit. A performer appears from the side of the screen, holding the same size box as the one in the film. The performer walks around the space holding the box, hands it to the audience, etc., and disappears behind the screen. The lights of the space turn off, the film projection continues, with the same box and the man and woman appearing again. In this performance, the awareness of the screening space is articulated by exposing the boundaries between inside and outside of the screen, and between actor and audience.
In the screen shows a woman and a man in front of a white box. After a while another man comes in and takes away the box. At that point the projection is stopped and the lights in the space are lit. A performer appears from the side of the screen, holding the same size box as the one in the film. The performer walks around the space holding the box, hands it to the audience, etc., and disappears behind the screen. The lights of the space turn off, the film projection continues, with the same box and the man and woman appearing again. In this performance, the awareness of the screening space is articulated by exposing the boundaries between inside and outside of the screen, and between actor and audience.
The film maintains a neutral stance by focusing on ambiguous interpretations and existential questions through an experimental, non-linear narrative, without explicitly promoting any particular political ideology or solution.
Based on the limited information provided, the movie's characteristics regarding diversity, equity, and inclusion are assessed as neutral. There is no explicit evidence to suggest either traditional casting or intentional DEI-driven casting, nor is there information indicating a specific framing of traditional identities or central DEI themes within the narrative.
The movie does not contain any action or adventure elements.
The film "Box" (1967) by Shuzo Azuchi Gulliver is an experimental work with no known source material or pre-existing characters with established genders. Therefore, no character could have undergone a gender swap.
There is no widely established source material or historical record for the film "Box" (1967) that defines characters' races prior to the film's production. Therefore, no character can be identified as having been portrayed by an actor of a different race than their established canon.