Leans Traditional
0.0
الميعاد
(1955)
Political: Center
Diversity: Low
دعونى اعيش (1955)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
In the Suez desert, a playful widow who owns a café falls in love with the driver (Ragab), who in turn loves her younger sister (Nemat). She tries to kill her, but she runs away to hide with a petroleum engineer, who hides her and decides that she should live with him in the desert, where His work and decides to marry her, but his younger brother, Hossam, arrives and falls in love with her, but he withdraws after learning of his older brother's love for her. Rajab learns of the matter, so he and his sister decide to kill the engineer, hide his body, and portray the incident as fate and destiny, and they succeed in doing so. Hossam tries to uncover the mystery of his brother's death.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
In the Suez desert, a playful widow who owns a café falls in love with the driver (Ragab), who in turn loves her younger sister (Nemat). She tries to kill her, but she runs away to hide with a petroleum engineer, who hides her and decides that she should live with him in the desert, where His work and decides to marry her, but his younger brother, Hossam, arrives and falls in love with her, but he withdraws after learning of his older brother's love for her. Rajab learns of the matter, so he and his sister decide to kill the engineer, hide his body, and portray the incident as fate and destiny, and they succeed in doing so. Hossam tries to uncover the mystery of his brother's death.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title, 'The Norman Conquest of England,' indicates a focus on a historical event. Without specific details on the narrative or directorial intent, the evaluation assumes a neutral depiction of historical events rather than the promotion of a specific political ideology.
The film's casting is expected to be traditional, aligning with the historical context of the Norman Conquest of England, without intentional race or gender swaps for historical roles. The narrative is anticipated to focus on the historical events and figures, presenting traditional identities in a neutral or positive light without explicit DEI critiques.
Secondary
The film, set during the 11th-century Norman Conquest, portrays Christianity as the foundational spiritual and cultural force of the era. While individual characters may exhibit human flaws or use religion for political ends, the narrative consistently respects the dignity and virtues of the faith itself, depicting its pervasive influence on society, governance, and personal morality without undermining its core tenets.
The film does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate regarding positive, negative, or neutral impacts on queer identity.
The movie does not contain any action or adventure elements.
Information regarding the specific characters and their portrayals in "The Norman Conquest of England" (1955) by Roger Leenhardt is not readily available. Without details on the film's cast and roles, it is not possible to identify any instances of gender swapping from historical or canonical sources.
The film depicts historical events and figures from 11th-century England and Normandy. Given the historical context and the film's production year (1955), there is no evidence or historical record of any character, canonically or historically established as one race, being portrayed as a different race.
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