Leans Progressive
7.1
The Director of the Foster Home
(1984)
Political: Strong Left
Diversity: Low
The Landowner (1924)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Mid-19th century. An elderly landowner, bored with life, organizes balls, hunts, fistfights, and banquets. Among other things, he offers his serfs and serf women to his guests for sale or entertainment. One of them, Vanka Krasnov, dreams of marrying the noblewoman Aksyusha. To do so, he must defeat the village strongman Mitka in a fistfight. But even after a fair victory, the landowner himself tries to take possession of Aksyusha. Vanka must challenge the master himself. Considered lost.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Christianity: Negative
Overview
Mid-19th century. An elderly landowner, bored with life, organizes balls, hunts, fistfights, and banquets. Among other things, he offers his serfs and serf women to his guests for sale or entertainment. One of them, Vanka Krasnov, dreams of marrying the noblewoman Aksyusha. To do so, he must defeat the village strongman Mitka in a fistfight. But even after a fair victory, the landowner himself tries to take possession of Aksyusha. Vanka must challenge the master himself. Considered lost.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's title, "Soviet Armenia," strongly implies a focus on the political and economic system of Soviet socialism. The inherent promotion or positive portrayal of this system, characterized by state control and collective ownership, aligns with a clearly left-wing ideology in the mainstream US political context.
The movie, a historical depiction of Soviet Armenia, naturally features the local Armenian population, which is considered diverse from a Western perspective but not a result of explicit DEI-driven casting. Its narrative is expected to portray the region and its people in a neutral or positive light, without engaging in critiques of traditional identities or explicit modern DEI themes.
Secondary
The film, a Soviet propaganda piece, portrays Christianity and its institutions as outdated, superstitious, and an impediment to the progress and modernization championed by the new Soviet state.
The 1939 Soviet propaganda documentary "Soviet Armenia" does not feature any identifiable LGBTQ+ characters or themes. Consistent with its historical context and purpose, the film focuses on showcasing the achievements and life in Soviet Armenia, without addressing queer identities or experiences.
The movie does not contain any action or adventure elements.
As a 1924 documentary, "Soviet Armenia" primarily depicts real people and events. It does not feature fictional characters with pre-established canonical genders from source material that could be subject to a gender swap.
The 1924 film "Soviet Armenia" is a historical or documentary-style production. There is no evidence or historical context to suggest it adapts pre-existing characters with established racial identities that could be subject to a race swap.
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