Leans Traditional
8.3
Boogie Nights
(1997)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Night on Bald Mountain (1940)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
At Walpurgis Night (the Witches' Sabbath), Chernabog, God of evil, emerges from the peak of Bald Mountain (in reality Mount Triglav, in Slovenia) to summon all of his minions, including ghosts, vultures, demons, hags, and harpies, who dance furiously as he throws them into the mountain's fiery pit.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
At Walpurgis Night (the Witches' Sabbath), Chernabog, God of evil, emerges from the peak of Bald Mountain (in reality Mount Triglav, in Slovenia) to summon all of his minions, including ghosts, vultures, demons, hags, and harpies, who dance furiously as he throws them into the mountain's fiery pit.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title, "Night on Bald Mountain," suggests a focus on mythological and supernatural themes, which are inherently apolitical. Without any further details on the plot or characters, there is no evidence to suggest a specific political agenda or bias.
Based on the absence of specific details regarding casting or narrative, the movie is assessed as adhering to traditional representation and framing, with no explicit DEI elements identified.
Secondary
The film portrays Christianity positively by depicting the 'Ave Maria' sequence as a direct, powerful counterpoint to the demonic forces of Chernabog, showing divine light and faith as the ultimate vanquisher of evil and bringer of peace.
The film 'Night on Bald Mountain' (referring to the segment in Disney's Fantasia) is an animated sequence set to classical music. It does not contain any discernible narrative, characters, or themes related to LGBTQ+ identities, resulting in no depiction.
The movie does not contain any action or adventure elements.
The film segment features Chernabog, a demonic entity derived from Slavic mythology, who is consistently portrayed as male in both the source material and the 1940 animated depiction. No characters established as one gender were portrayed as another.
The segment features non-human, mythical entities like Chernabog and various spirits, which do not have established racial identities in any source material or historical context. Therefore, the concept of a race swap does not apply.
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