
Not Rated
Socialist Slovenia’s first feature-length experimental film, DAILY NEWS was shot in 1980 on Super-8mm by then-26-year-old Franci Slak, who would go on to become an acclaimed industry director. As its title suggests, the film is a diary in which the author records his observations of the outside world; as Silvan Furlan writes, it “evokes with a certain nostalgia those golden days of the underground, when the freedom of filmmaking was written in capital letters.” Film theorist Jože Dolmark appraised it best: “the film contains a desire to record (not strictly chronologically) the experience of a lived day: what happened to you, what you experienced, or which is more interesting, what you would like the day to look like, according to how you’ve imagined it. I think the entire power of DAILY NEWS lies in this desire of Franci’s for what remained unspoken, what slipped, what remained outside the edges, and what we’ll never know.”
Socialist Slovenia’s first feature-length experimental film, DAILY NEWS was shot in 1980 on Super-8mm by then-26-year-old Franci Slak, who would go on to become an acclaimed industry director. As its title suggests, the film is a diary in which the author records his observations of the outside world; as Silvan Furlan writes, it “evokes with a certain nostalgia those golden days of the underground, when the freedom of filmmaking was written in capital letters.” Film theorist Jože Dolmark appraised it best: “the film contains a desire to record (not strictly chronologically) the experience of a lived day: what happened to you, what you experienced, or which is more interesting, what you would like the day to look like, according to how you’ve imagined it. I think the entire power of DAILY NEWS lies in this desire of Franci’s for what remained unspoken, what slipped, what remained outside the edges, and what we’ll never know.”
The film's highly abstract, experimental, and structuralist nature, focusing on the materiality of film and perception, precludes any discernible political messaging or bias.
The film, an experimental work, does not feature traditional characters or a narrative. As such, it does not engage with casting diversity, the framing of traditional identities, or explicit DEI themes within its content.
Paul Sharits' 'Passare I (Italia)' is an abstract experimental film focused on visual and auditory elements. It does not contain narrative, characters, or explicit thematic content, and therefore, no LGBTQ+ characters or themes are present for evaluation.
The movie does not contain any action or adventure elements.
Paul Sharits's "Passare I (Italia)" is an experimental film without traditional narrative or characters derived from pre-existing source material or history. Therefore, there are no established characters whose gender could be swapped.
Passare I (Italia) is an experimental, non-narrative film by Paul Sharits. It does not feature characters with established canonical or historical races from source material, making a race swap inapplicable by definition.