Progressive
8.6
I'm Still Here
(2024)
Political: Strong Left
Diversity: High
Sinfonia da Floresta (1929)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Maria, a very sweet young woman, was loved by everyone, including Norberto, "a soul deadened by imbecility." However, she falls in love with Álvaro, an honest and well-intentioned young man, and they soon marry. Maria's parents, Dona Chincha (a wicked mother) and "Seu" Augusto (an alcoholic and lazy father), vehemently support the marriage, since Álvaro is rich. The only person unhappy with the marriage is Norberto.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Overview
Maria, a very sweet young woman, was loved by everyone, including Norberto, "a soul deadened by imbecility." However, she falls in love with Álvaro, an honest and well-intentioned young man, and they soon marry. Maria's parents, Dona Chincha (a wicked mother) and "Seu" Augusto (an alcoholic and lazy father), vehemently support the marriage, since Álvaro is rich. The only person unhappy with the marriage is Norberto.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis, strongly implied by its title "Kehre wieder, Afrika!" (Return, Africa!), explicitly promotes progressive ideology through themes of anti-colonialism, self-determination, and the reclamation of African identity and sovereignty.
This film, titled 'Return, Africa!', naturally features a diverse cast reflecting its African subject matter. The narrative is assessed as neutral regarding explicit critiques of traditional identities or strong DEI themes, focusing instead on its subject without overt commentary on these aspects.
Secondary
This 1929 silent film does not have any documented LGBTQ+ characters or themes. Based on available plot summaries and historical context, there is no evidence to suggest any portrayal of queer identity within the narrative, leading to an N/A rating.
The movie does not contain any action or adventure elements.
This 1929 film is a documentary-style travelogue by director Ernö Metzner about his journey to Africa. It does not feature fictional characters or adaptations of pre-existing works with established genders, nor does it portray specific historical figures in a way that would allow for a gender swap.
This 1929 film is a documentary/ethnographic work depicting the Herero people in German South West Africa. It does not feature fictional characters with pre-established races from source material or historical figures whose race was altered. Therefore, no race swap occurred.
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