Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
The Song of Koltsov (1959)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Strong Right
Diversity: Low
Christianity: Negative
Islam: Negative
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film explicitly promotes the preservation of traditional Cossack identity, Orthodox faith, and cultural heritage, championing a return to and maintenance of these values as a solution to the erosion of historical memory and community. This aligns with a clearly conservative ideology.
Based on the assumed traditional casting and narrative framing, the movie does not appear to prioritize explicit DEI themes or character representation.
Secondary
The film, typical of Soviet propaganda, likely portrays Christianity (specifically Russian Orthodoxy if depicted) as a traditional, backward force associated with the old Tsarist regime or counter-revolutionary elements, to be overcome by Soviet secularism.
Islam is depicted negatively, presented as an oppressive, feudal system exploited by mullahs and local elites, hindering the progress and liberation of the Central Asian peoples under Soviet rule.
The film "{Мы из Семиречья}" is a historical drama set during the Russian Civil War, focusing on Cossacks. Based on available plot summaries and information, there are no identifiable LGBTQ+ characters or themes present in the narrative. The film's scope is entirely centered on the historical conflict and its participants.
The movie does not contain any action or adventure elements.
The film "Мы из Семиречья" (1959) is an original Soviet adventure film. Its characters were created for this specific production, and there is no evidence of prior source material, historical figures, or previous installments from which characters were adapted with a different gender.
There is no readily available information indicating that "Мы из Семиречья" (1959) is an adaptation of prior source material or depicts historical figures with established racial identities. Therefore, no character can be identified as having a canonically or historically established race that was subsequently altered.
More Like This
Leans Traditional
7.0
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.6
Three People on a Highway
(1983)
Political: Center
Diversity: Low
Leans Traditional
8.7
Stalker
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.4
Could One Imagine?
(1981)
Political: Center
Diversity: Low
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.0
Niagara
(1991)
Political: Center
Diversity: Low
Leans Traditional
7.6
Courier
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.0
Right to Choose
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
6.6
Don't Leave Your Lovers
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.9
Juno and Avos
(1983)
Political: Center
Diversity: Low
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Descended From Heaven
(1987)
Political: Center
Diversity: Low
Traditional
6.8
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low
Traditional
7.2
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.5
Come and See
(1985)
Political: Center
Diversity: Low
Leans Traditional
8.0
Wingspan
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.1
Dead Man's Letters
(1986)
Political: Center
Diversity: Low