
Not Rated
Following in the footsteps of pioneers like Émile Cohl, the brilliant inventor and self-taught artist Louis Van Maelder created a body of work of unparalleled richness and inventiveness by drawing directly onto the film strip.
Following in the footsteps of pioneers like Émile Cohl, the brilliant inventor and self-taught artist Louis Van Maelder created a body of work of unparalleled richness and inventiveness by drawing directly onto the film strip.
The film's central conflict revolves around combating criminal corruption within a labor union, emphasizing individual moral courage and the effectiveness of the justice system as the solution, which positions it as neutral by focusing on universal themes of crime and justice rather than promoting a specific political ideology.
This 1957 crime drama features traditional casting typical of its era, with no apparent intentional diversity-driven casting choices. The narrative focuses on its plot without explicitly critiquing traditional identities or incorporating central DEI themes.
The film "Slaughter on Tenth Avenue" is a 1957 crime drama focused on a longshoreman's entanglement with the mob. There are no identifiable LGBTQ+ characters or themes present within the narrative, resulting in no portrayal to evaluate.
The movie does not contain any action or adventure elements.
Slaughter on Tenth Avenue (1957) is an original film, not an adaptation, reboot, or biopic. Its characters were created for this specific production, meaning there are no pre-existing canonical or historical characters whose gender could be swapped.
This 1957 film is an adaptation of a novel. There is no evidence that any character canonically established as one race in the source material was portrayed as a different race in the film.