Leans Traditional
7.5
Peter Pan
(1953)
Political: Center
Diversity: Low
Tale of the Idle Jar (1956)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
The title character of this humorous puppet film is a milk pot that swells to terrifying dimensions. The vain jar-lady becomes so big-headed that she rejects her customary role in life and even goes as far as to take control of the master potter’s workshop. However, at the local market most customers give her the cold shoulder, only a drunkard rag and bone man sees something in her: as a bottomless wine jug…
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
The title character of this humorous puppet film is a milk pot that swells to terrifying dimensions. The vain jar-lady becomes so big-headed that she rejects her customary role in life and even goes as far as to take control of the master potter’s workshop. However, at the local market most customers give her the cold shoulder, only a drunkard rag and bone man sees something in her: as a bottomless wine jug…
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is an ethnographic documentary focusing on the wild ponies of Giara, a subject matter that inherently lacks a strong, explicit political valence and is likely presented in an observational, apolitical manner, leading to a neutral rating.
This 1953 Italian documentary, focusing on wild ponies, does not exhibit characteristics of modern Diversity, Equity, and Inclusion in its casting or narrative. Its content is centered on its subject matter without engaging in explicit DEI themes or critiques of traditional identities.
Secondary
The film 'I cavallini della Giara' does not feature any identifiable LGBTQ+ characters or themes within its narrative. Consequently, there is no portrayal of queer identity or experiences to evaluate against the rubric.
The movie does not contain any action or adventure elements.
This 1956 film is a documentary about wild ponies. It does not feature narrative characters with pre-established canonical or historical genders that could be subject to a gender swap.
This film is a 1956 documentary about wild ponies in Sardinia. As a non-fictional work documenting real animals and potentially real people, it does not feature fictional characters with established races that could be subject to a race swap.
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