Leans Traditional
8.2
Once Upon a Time in America
(1984)
Political: Center
Diversity: Low
An American Tune (1975)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
"This film presents a non-verbal, fast-moving, sometimes humorous montage of just about every kind of musical form, from solo musicians to rock groups, bluegrass bands, symphony orchestras, and a chamber quartet" (US National Archives). The film was made as part of the "Young Filmmaker Bicentennial Grant" program managed by the US Information Agency in the lead up to the American Bicentennial.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
"This film presents a non-verbal, fast-moving, sometimes humorous montage of just about every kind of musical form, from solo musicians to rock groups, bluegrass bands, symphony orchestras, and a chamber quartet" (US National Archives). The film was made as part of the "Young Filmmaker Bicentennial Grant" program managed by the US Information Agency in the lead up to the American Bicentennial.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's content, themes, and narrative details were not provided, making it impossible to assess any specific political bias. A neutral rating is assigned due to the complete absence of information for analysis.
Based on the limited information available, the movie's casting and narrative framing are assessed as neutral concerning diversity, equity, and inclusion characteristics. There is no explicit evidence of either traditional casting or intentional DEI-driven casting, nor is there a clear critique or promotion of traditional or DEI themes within the narrative.
Secondary
Based on the information provided, 'An American Tune' does not feature any identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal is not applicable, as there is no depiction to assess.
The movie does not contain any action or adventure elements.
Information regarding "An American Tune" (1975) by Bill Marcus is scarce, with no indication it is an adaptation, biopic, or reboot featuring pre-established characters. Therefore, no instances of gender swaps can be identified.
This 1975 short film is a visual interpretation of a song and does not feature named characters with established racial identities from source material, history, or prior adaptations. Therefore, the concept of a race swap does not apply.
More Like This
Leans Traditional
8.1
Apollo 13
(1995)
Political: Center
Diversity: Low
Traditional
8.6
Rebecca
(1940)
Political: Center
Diversity: Low
LGBTQ: Negative
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Center
7.7
Erin Brockovich
(2000)
Political: Leans Left
Diversity: Low
Leans Traditional
7.7
Spider-Man
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Terminator
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Progressive
8.8
The Shawshank Redemption
(1994)
Political: Center
Diversity: High
LGBTQ: Negative
Leans Progressive
8.0
Minority Report
(2002)
Political: Leans Left
Diversity: Moderate
Center
6.9
The Life Aquatic with Steve Zissou
(2004)
Political: Center
Diversity: Moderate
Leans Traditional
8.4
Reservoir Dogs
(1992)
Political: Center
Diversity: Low
Leans Traditional
8.2
Wallace & Gromit: The Curse of the Were-Rabbit
(2005)
Political: Center
Diversity: Low
Leans Traditional
8.6
Eternal Sunshine of the Spotless Mind
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Good Earth
(1937)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
The Return of Frank Cannon
(1980)
Political: Center
Diversity: Low
Traditional
7.3
Charlie and the Chocolate Factory
(2005)
Political: Leans Right
Diversity: Low
Center
9.1
The Lord of the Rings: The Return of the King
(2003)
Political: Center
Diversity: Low
Female Combat: Yes
Center
8.4
Monsters, Inc.
(2001)
Political: Leans Left
Diversity: Low