Progressive
8.5
Paris Is Burning
(1991)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Ricky Leacock Visit, April 15, 1971 (1971)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Jonas Mekas visit. Harry comes by before Ricky visit. 1. 12 p.m. April 15th -- Jonas dares to come by but won't talk. I tape him not with set up -- (as I planned) but with camera in my arms I sneak a few shots. 2. Ricky visit RED 1.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Moderate
Overview
Jonas Mekas visit. Harry comes by before Ricky visit. 1. 12 p.m. April 15th -- Jonas dares to come by but won't talk. I tape him not with set up -- (as I planned) but with camera in my arms I sneak a few shots. 2. Ricky visit RED 1.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central subject matter, featuring John Lennon and Yoko Ono as iconic figures of the 1960s counter-culture and peace movement, inherently aligns its themes with progressive values and anti-establishment sentiments.
This observational documentary features Yoko Ono as a central figure, contributing to visible diversity within the film's real-life setting. However, as an unscripted depiction of a social gathering, the film does not engage in explicit narrative framing or critique of traditional identities, nor does it center DEI themes.
Secondary
Based on the provided information, there are no identifiable LGBTQ+ characters or themes present in 'Yoko and John Party'. Therefore, a detailed evaluation of its portrayal is not possible.
The movie does not contain any action or adventure elements.
The film features real historical figures, Yoko Ono and John Lennon, who are portrayed consistent with their documented genders. There are no established characters depicted with a different gender.
The film features the real Yoko Ono and John Lennon, who portray themselves. Their on-screen portrayal is consistent with their documented historical races, therefore no race swap occurs.
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