
Not Rated
A retrospective based on an introspective vision, this stream of still pictures, unfolding to the rhythm of the voice-over (delivered by Steve Reinke), portrays a man who visually exposes his psychological “faults.” Recounting eighteen decisive moments in his life, and dissecting both his genetic and cultural heritage, the work delimits a transitory space in which each image crystallizes one of these indistinct marking points. Bringing together a number of collectively shared experiences, Damaged presents a series of significant events — some pleasant, others less so — evincing the complexity of the stages of life and offering models of childhood, sexuality and adulthood that denounce the transmission and acculturation of stigmatized identities. —Karl-Gilbert Murray, FIFA Catalogue
A retrospective based on an introspective vision, this stream of still pictures, unfolding to the rhythm of the voice-over (delivered by Steve Reinke), portrays a man who visually exposes his psychological “faults.” Recounting eighteen decisive moments in his life, and dissecting both his genetic and cultural heritage, the work delimits a transitory space in which each image crystallizes one of these indistinct marking points. Bringing together a number of collectively shared experiences, Damaged presents a series of significant events — some pleasant, others less so — evincing the complexity of the stages of life and offering models of childhood, sexuality and adulthood that denounce the transmission and acculturation of stigmatized identities. —Karl-Gilbert Murray, FIFA Catalogue
The film's central subject matter, the personal and societal impact of illness and loss within the context of the AIDS crisis and queer identity, aligns its dominant themes with progressive values of social justice and challenging stigma, leading to a left-leaning rating.
The experimental, found-footage nature of 'Damaged' means it does not feature traditional casting or character roles. Its narrative focuses on abstract themes of the human body and transformation, rather than engaging in explicit social commentary or identity-based critiques.
Mike Hoolboom's "Damaged" provides a deeply personal and empathetic exploration of living with HIV/AIDS from a queer perspective. The film affirms the dignity and complexity of LGBTQ+ lives impacted by the epidemic, validating their experiences and memories amidst tragedy.
The movie does not contain any action or adventure elements.
The film "Damaged" (1999) is an experimental short film that does not feature characters with pre-established canonical or historical genders from source material or prior installments. Therefore, no gender swaps, as defined, occur.
Damaged (1999) is an experimental short film by Mike Hoolboom, primarily utilizing found footage and not featuring narrative characters adapted from source material or specific historical figures portrayed by actors. Therefore, the concept of a 'race swap' as defined does not apply.