
Not rated
Anton Skulov, a war invalid, shot a drunk young man with a hunting rifle who climbed into his garden and ruined rare flowers that his wife, a war veteran, had grown before her death. The investigation was short-lived, th...
Anton Skulov, a war invalid, shot a drunk young man with a hunting rifle who climbed into his garden and ruined rare flowers that his wife, a war veteran, had grown before her death. The investigation was short-lived, th...
As a Soviet production, the film inherently promotes a state-centric vision of justice and collective responsibility, aligning its dominant themes with left-leaning values by emphasizing the proper functioning of a socialist legal system and the triumph of truth within that framework.
This 1953 Soviet drama features traditional casting reflective of its era, with no evidence of intentional race or gender swaps. The narrative focuses on legal and moral themes without critiquing traditional identities or incorporating explicit DEI themes.
Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in the film "The Defendant." Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
The film is an adaptation of a Soviet play. There is no evidence that any major character, canonically established as one gender in the source material, was portrayed as a different gender in the 1985 film adaptation.
There is no evidence that "The Defendant" (1985), a Soviet film based on a play, features any characters whose race was established in source material as one race and then portrayed as a different race on screen. The film's context and origin do not suggest any such changes.