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A sultan agrees to help an evil witch destroy a mysterious beauty if the witch will bring his young son back to life. A lost film.
A sultan agrees to help an evil witch destroy a mysterious beauty if the witch will bring his young son back to life. A lost film.
The film's central conflict revolves around universal themes of innocence, prejudice, and the struggle of an outsider, presented within a mythical fantasy framework that avoids explicit alignment with modern political ideologies.
The film exhibits traditional casting practices typical of its era, without any apparent intentional race or gender swaps for diversity. Its narrative maintains a neutral or positive portrayal of traditional identities, consistent with the filmmaking conventions of the early 20th century.
A Daughter of the Gods, a 1916 silent fantasy film, does not contain any discernible LGBTQ+ characters or themes within its narrative. The story focuses on a mermaid's journey and her interactions with a human prince, without any elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The 1916 film "A Daughter of the Gods" is an original story, not an adaptation of pre-existing source material or historical events. Therefore, no characters had a prior established gender to be swapped from.
The film "A Daughter of the Gods" (1916) features characters original to its screenplay, not adaptations from prior source material or historical figures with established racial identities. Therefore, no race swap occurred.
Combines user and critic ratings from four sources