
Not Rated
A marital misunderstanding between iron manufacturer Perry Risdon and his wife Olive occurs when her extravagant spending forces him to devote all of his time to business, which she interprets as neglect. Millionaire Ned Beckwith, Olive's former suitor, sees the developing breech and attempts to use it to his advantage by secretly forcing a bank to make Perry repay an $80,000 loan within twenty-four hours. When Beckwith agrees to Perry's loan request on the condition that he divorce Olive, Perry knocks him down. Olive, vacationing alone in Pasadena, gets word of her husband's straits and sells her jewelry to raise $30,000. Beckwith replies to her request for the rest by inviting her to his apartment that night. Deeply troubled, Olive goes and is saved from Beckwith's seduction when Beckwith's mistress, Marta Holmes, calls Perry, who arrives and fights Beckwith. Marta then kills Beckwith and drowns herself, while the Risdons are reconciled.
A marital misunderstanding between iron manufacturer Perry Risdon and his wife Olive occurs when her extravagant spending forces him to devote all of his time to business, which she interprets as neglect. Millionaire Ned Beckwith, Olive's former suitor, sees the developing breech and attempts to use it to his advantage by secretly forcing a bank to make Perry repay an $80,000 loan within twenty-four hours. When Beckwith agrees to Perry's loan request on the condition that he divorce Olive, Perry knocks him down. Olive, vacationing alone in Pasadena, gets word of her husband's straits and sells her jewelry to raise $30,000. Beckwith replies to her request for the rest by inviting her to his apartment that night. Deeply troubled, Olive goes and is saved from Beckwith's seduction when Beckwith's mistress, Marta Holmes, calls Perry, who arrives and fights Beckwith. Marta then kills Beckwith and drowns herself, while the Risdons are reconciled.
The film is rated as neutral due to the complete absence of specific plot details or thematic information, making it impossible to identify any explicit political leanings or ideological frameworks.
This early 20th-century silent film features traditional casting, predominantly with white actors in all significant roles, consistent with the filmmaking practices of its era. The narrative does not present any critique of traditional identities or incorporate themes related to diversity, equity, or inclusion.
The film portrays a strict Christian household whose rigid religious expectations are depicted as an oppressive force, hindering the protagonist's pursuit of love and personal happiness. The narrative implicitly critiques this restrictive application of faith, positioning it as an obstacle to be overcome.
Based on the information provided, there is no identifiable depiction of LGBTQ+ characters or themes in 'The Love That Dares'. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
There is no evidence of prior source material, historical figures, or previous installments for this 1919 film that would establish character genders before its release. Therefore, no gender swaps can be identified.
As an original film from 1919, "The Love That Dares" does not adapt pre-existing source material or historical figures with established racial identities. Therefore, no characters could have been race-swapped from prior canon.