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A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
The film's dominant themes align with conservative values, emphasizing individual moral transformation, the power of faith, and traditional virtues as a solution to greed and cynicism, rather than focusing on systemic issues.
This early 20th-century film features traditional casting practices consistent with its era, without intentional diversity-driven recasting. The narrative does not present critiques of traditional identities or incorporate explicit DEI themes, reflecting the societal norms of its time.
The film strongly affirms the power of faith, redemption, and genuine miracles, which are presented through the character of the Patriarch and his transformative effect on cynical con artists. The narrative champions virtues associated with Christian belief, portraying them as ultimately triumphant over greed and disbelief.
The Miracle Man (1919) does not feature any identifiable LGBTQ+ characters or themes. The story focuses on themes of redemption, faith, and the transformation of con artists, with all romantic relationships depicted as heterosexual. Therefore, the film has no discernible impact on the portrayal of LGBTQ+ individuals.
The movie does not contain any action or adventure elements.
The 1919 film "The Miracle Man" adapts a novel and play. An analysis of the main characters from the source material and their portrayal in the film shows no instances where a character's established gender was altered.
The 1919 film "The Miracle Man" is an adaptation of Frank L. Packard's 1914 novel. There is no historical or canonical evidence suggesting that any character, originally established as one race in the source material, was portrayed as a different race in the film.
Combines user and critic ratings from four sources