
Not Rated
When her father's death leaves Virginia Hastings facing a life of poverty, she breaks her engagement to Robert Monti to marry millionaire James Vandam. Unaccustomed to wealth, she entertains lavishly and flirts with many men, although her husband's secretary remains immune to her wiles.
When her father's death leaves Virginia Hastings facing a life of poverty, she breaks her engagement to Robert Monti to marry millionaire James Vandam. Unaccustomed to wealth, she entertains lavishly and flirts with many men, although her husband's secretary remains immune to her wiles.
The film's central themes revolve around individual desire, manipulation, and moral consequences, which are largely apolitical in nature. It functions as a psychological drama and cautionary tale rather than promoting or critiquing specific political ideologies.
This early 20th-century film features traditional casting practices typical of its era, with no evidence of intentional diversity-driven casting. The narrative does not include critical portrayals of traditional identities or explicit DEI themes, reflecting the common cinematic approaches of the time.
A Modern Salome is a silent melodrama exploring themes of desire and obsession through its female protagonist. Based on available plot summaries and analyses, the film does not feature any identifiable LGBTQ+ characters or themes, focusing instead on heterosexual dynamics and the protagonist's personal tragedy.
The movie does not contain any action or adventure elements.
The film 'A Modern Salome' (1921) adapts the biblical story of Salome. The titular character, Salome, is consistently portrayed as female, aligning with her canonical and historical gender. No established characters from the source material appear to have their gender altered in this adaptation.
The film is titled "A Modern Salome" and features a contemporary character named Salome, rather than a direct historical or biblical adaptation of the Judean princess. The character is a new interpretation, not a direct portrayal of the canonically established figure.