
Not Rated
David Belkov, a newsboy born of foreign parents who live in "New York's crucible," the East Side, admires the late Theodore Roosevelt, but when he sees a poor family being evicted, he joins the Hogan Street anarchist group, of which his father's friends and his sweetheart Yolanda Kosloff, are members. The group plans to assassinate Judge Norton, who earlier condemned one of their comrades to the electric chair. After David witnesses the bravery of twelve-year-old Mary Hogan, who sings patriotic ditties to drown out the soap box orations of the anarchists, he prints leaflets to combat the anarchist views. Mary is killed trying to thwart the anarchists' plot, and David is caught and badly beaten. After government agents, thought to be converts, break up the gang, David arrives just in time to stop Yolanda, who is dancing at a celebration at Norton's home, from dropping a bomb. David is shot by the anarchist leader, but Yolanda, realizing her error, nurses him to health.
David Belkov, a newsboy born of foreign parents who live in "New York's crucible," the East Side, admires the late Theodore Roosevelt, but when he sees a poor family being evicted, he joins the Hogan Street anarchist group, of which his father's friends and his sweetheart Yolanda Kosloff, are members. The group plans to assassinate Judge Norton, who earlier condemned one of their comrades to the electric chair. After David witnesses the bravery of twelve-year-old Mary Hogan, who sings patriotic ditties to drown out the soap box orations of the anarchists, he prints leaflets to combat the anarchist views. Mary is killed trying to thwart the anarchists' plot, and David is caught and badly beaten. After government agents, thought to be converts, break up the gang, David arrives just in time to stop Yolanda, who is dancing at a celebration at Norton's home, from dropping a bomb. David is shot by the anarchist leader, but Yolanda, realizing her error, nurses him to health.
A political bias evaluation for 'The Red Viper' cannot be performed as no details regarding the film's plot, characters, or thematic content were provided for analysis, making it impossible to apply the internal reasoning checklist.
Due to the absence of specific details regarding the movie's plot, casting, and narrative themes, a definitive evaluation of its DEI characteristics cannot be performed. Based on the lack of explicit information, the movie is assessed as having a neutral stance on both representation and narrative framing, suggesting a baseline of diversity without explicit DEI-driven casting or strong thematic critique.
The Red Viper does not include any discernible LGBTQ+ characters or themes, resulting in no specific portrayal to evaluate within the scope of this framework.
The movie does not contain any action or adventure elements.
No information is provided regarding source material, previous adaptations, or historical figures for 'The Red Viper' (1919). Without a baseline for established character genders, no instance of a gender swap can be identified.
No information regarding source material or character baselines is provided for 'The Red Viper' (1919), making it impossible to determine if any character's race was canonically established prior to the film's production.