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While walking the streets of Damascus, Georges Hanet, French artist, hears a woman's screams. He rushes to the place and finds Kora tied to a whipping post and swaying from the unmerciful beating of her master. He rescues and frees her.
While walking the streets of Damascus, Georges Hanet, French artist, hears a woman's screams. He rushes to the place and finds Kora tied to a whipping post and swaying from the unmerciful beating of her master. He rescues and frees her.
The film is rated neutral due to the complete lack of plot details, character arcs, or thematic information, which precludes any objective assessment of political bias.
This film, an early work by Michael Curtiz, features traditional casting and character diversity, aligning with the common practices of its historical period. The narrative does not present critiques of traditional identities or incorporate explicit DEI themes.
Based on available information for Michael Curtiz's 1920 silent film "Der Stern von Damaskus," there is no evidence of LGBTQ+ characters or themes. The film's portrayal is therefore rated N/A, indicating an absence of depiction rather than a specific positive, negative, or neutral stance.
The movie does not contain any action or adventure elements.
Information on this lost 1921 silent film, including its plot and characters, is extremely scarce. There is no known source material or prior canon to establish original character genders for comparison, making it impossible to identify a gender swap.
There is no evidence of pre-existing source material, historical figures, or prior adaptations for "Der Stern von Damaskus" (1921) that would establish a character's race before this film. Thus, no character could have been portrayed as a different race than originally established.
Combines user and critic ratings from four sources