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Carteret, an artist, adopts Célestine, a French orphan who gives evasive answers to questions about a certain young "man", her close acquaintance. A detective observes the movements of Célestine and the mysterious stranger, whom he believes is involved in a murder case. The artist, realizing that he is in love with his adopted daughter, is about to propose to her when she "runs away" with the stranger, who is actually the girl he had adopted and who has married an army officer, with Célestine acting as his proxy. Delighted by the turn of events, Carteret decides to marry Célestine immediately.
Carteret, an artist, adopts Célestine, a French orphan who gives evasive answers to questions about a certain young "man", her close acquaintance. A detective observes the movements of Célestine and the mysterious stranger, whom he believes is involved in a murder case. The artist, realizing that he is in love with his adopted daughter, is about to propose to her when she "runs away" with the stranger, who is actually the girl he had adopted and who has married an army officer, with Célestine acting as his proxy. Delighted by the turn of events, Carteret decides to marry Célestine immediately.
The film critiques individual social prejudice and celebrates a woman's ambition and personal merit to achieve success and traditional romantic fulfillment, without engaging in broader systemic critiques or promoting a specific political ideology.
Consistent with its 1934 release, the film features a predominantly traditional cast without explicit DEI-driven casting choices. Its narrative does not critique traditional identities or center on DEI themes, reflecting the prevailing societal norms of its era.
The film 'Ever Since Eve' (1921) is a silent drama focusing on a young woman's experiences in the city. Available plot summaries and historical context indicate no identifiable LGBTQ+ characters or themes are present in the narrative.
The movie does not contain any action or adventure elements.
This 1921 silent film is an original production, not an adaptation of pre-existing source material or a biopic. Therefore, its characters do not have prior canonical or historical genders to be swapped.
This 1921 silent film is an original story, not an adaptation of a work with pre-established character races, nor does it feature historical figures or legacy characters. There is no evidence of any character's race being changed from a prior canon.