
Not Rated
When Iris Champneys’ marriage to the Earl of Lemister ends in divorce she moves to Africa to operate a tavern. Seven years later she becomes reacquainted with Clement Gaunt, formerly employed by Lemister and secretly in love with Iris, who is on the run after being falsely accused of the murder of the owner of the ranch where he was once foreman. The real culprit, the rancher’s wife Hannah, accused Clem when he refused to run away with her. Iris, learning of his predicament, rides to Hannah Schriemann, telling her that Clem has been executed for her crime. When the police bring Clem to the house, Hannah--frightened by his "ghost"--confesses, and Iris and Clem find a way to happiness.
When Iris Champneys’ marriage to the Earl of Lemister ends in divorce she moves to Africa to operate a tavern. Seven years later she becomes reacquainted with Clement Gaunt, formerly employed by Lemister and secretly in love with Iris, who is on the run after being falsely accused of the murder of the owner of the ranch where he was once foreman. The real culprit, the rancher’s wife Hannah, accused Clem when he refused to run away with her. Iris, learning of his predicament, rides to Hannah Schriemann, telling her that Clem has been executed for her crime. When the police bring Clem to the house, Hannah--frightened by his "ghost"--confesses, and Iris and Clem find a way to happiness.
Due to the complete absence of plot details, character arcs, or thematic information for 'The Woman Who Walked Alone,' a nuanced political bias assessment is not possible. The film is rated as neutral, as there is no evidence to support either a left- or right-leaning interpretation.
This 1925 silent film features traditional casting, predominantly with white actors, and its narrative does not present critical portrayals of traditional identities or incorporate explicit DEI themes, aligning with the common cinematic practices of its era.
The film "The Woman Who Walked Alone" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a heterosexual romantic drama and societal expectations, with no elements suggesting queer representation or related plot points.
The movie does not contain any action or adventure elements.
This 1922 film is an original production, not an adaptation of existing source material or a biopic. Therefore, no characters had a pre-established canonical or historical gender to be altered.
As an original film from 1922, there is no prior source material or historical record establishing the race of its characters before this production. Therefore, no character could have been portrayed as a different race than originally established.