Leans Traditional
7.3
Descendent
(2025)
Political: Center
Diversity: Low
The City That Never Sleeps (1924)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Mother O'day, running her saloon after the death of her husband, places her daughter in the care of Mrs. Kendall, a high society woman. Later, in the prohibition era, Molly returns to the saloon-turned-cabaret as a flapper with her co-star Mark Roth. Considered a lost film.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
Mother O'day, running her saloon after the death of her husband, places her daughter in the care of Mrs. Kendall, a high society woman. Later, in the prohibition era, Molly returns to the saloon-turned-cabaret as a flapper with her co-star Mark Roth. Considered a lost film.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's likely emphasis on individual moral choices and personal redemption from urban vice, rather than systemic critiques, aligns its narrative solution with right-leaning themes of individual responsibility and traditional morality.
This 1924 silent film features traditional casting practices typical of its era, without evident intentional race or gender swaps. Its narrative does not present critical portrayals of traditional identities or incorporate explicit DEI themes, aligning with the common cinematic approaches of the time.
Secondary
Based on the information provided, no identifiable LGBTQ+ characters or themes were present in 'The City That Never Sleeps'. Therefore, no specific portrayal could be evaluated.
The movie does not contain any action or adventure elements.
This 1924 film is an original production, not an adaptation, reboot, or biopic. All characters were created for this specific film, meaning there are no pre-established canonical or historical characters whose gender could have been altered.
The film "The City That Never Sleeps" (1924) is an original silent crime drama. There is no prior source material, historical figures, or previous installments from which character races could have been established and subsequently changed.
More Like This
Leans Traditional
7.5
Arthur Christmas
(2011)
Political: Center
Diversity: Low
Traditional
7.6
Risky Business
(1983)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
Prince of the City
(1981)
Political: Center
Diversity: Low
Leans Traditional
8.0
The Fighter
(2010)
Political: Center
Diversity: Low
Leans Traditional
8.5
Gravity
(2013)
Political: Center
Diversity: Low
Leans Traditional
8.1
In the Bedroom
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.3
Boogie Nights
(1997)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
8.3
The Elephant Man
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.4
Trees Lounge
(1996)
Political: Center
Diversity: Low
Traditional
8.7
On the Waterfront
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Hugo
(2011)
Political: Center
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Leans Traditional
6.7
Mrs. Doubtfire
(1993)
Political: Center
Diversity: Low
Leans Traditional
9.0
Sunset Boulevard
(1950)
Political: Center
Diversity: Low
Leans Traditional
8.0
Blue Velvet
(1986)
Political: Center
Diversity: Low
Traditional
7.6
Cinderella Man
(2005)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
Road to Perdition
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Pursuit of Happyness
(2006)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
The Merry Widow
(1926)
Political: Center
Diversity: Low