Viewer Rating
Combines user and critic ratings from four sources
Francis Byrd is in love with circus acrobat, and daughter of the show's owner, La Belle, and tries to join the show to be near her. However, his rival Oscar Thrust is the keeper of a "Man-Eating Gorilla" named Bimbo, who's a featured act.
Francis Byrd is in love with circus acrobat, and daughter of the show's owner, La Belle, and tries to join the show to be near her. However, his rival Oscar Thrust is the keeper of a "Man-Eating Gorilla" named Bimbo, who's a featured act.
The film's subject matter, "Circus Rookies," is inherently apolitical, focusing on the challenges and experiences within the circus world rather than engaging with specific political ideologies or societal critiques.
This 1928 silent film features casting that aligns with traditional norms of its era, primarily showcasing a mainstream, predominantly white ensemble without intentional diversity-driven choices. The narrative similarly presents traditional identities in a neutral or positive light, without engaging in critical portrayals or incorporating explicit DEI themes.
Circus Rookies, a 1928 silent comedy, does not feature any discernible LGBTQ+ characters or themes. The narrative centers on two friends joining a circus, with no elements suggesting queer representation or related storylines.
The movie does not contain any action or adventure elements.
The 1928 film Circus Rookies is an original silent comedy. It does not adapt pre-existing source material or feature legacy characters, meaning no characters were established as a different gender prior to this film.
Circus Rookies (1928) is an original film, not an adaptation of pre-existing material or a biopic. Its characters were created for this specific production, meaning there is no prior canonical or historical race to establish a baseline for a race swap.
Combines user and critic ratings from four sources