The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.
The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.
The film's central subject matter, based on its title and the general context of silent era dramas, does not inherently align with a strong modern political ideology, leading to a neutral rating.
This 1916 silent film features traditional casting practices common for its era, with no evident intentional diversity in character representation. The narrative also aligns with historical norms, presenting traditional identities without critique or explicit DEI themes.
The film 'Son of the Gods' (1929) does not feature any discernible LGBTQ+ characters or themes. Its plot centers on a heterosexual love story and cultural dynamics, making no reference to queer identities or experiences.
The movie does not contain any action or adventure elements.
The film "Son of the Gods" (1930) does not appear to be an adaptation of a pre-existing work with established characters, nor does it feature historical figures. Therefore, no characters exist whose canonical or historical gender could have been swapped.
Without information on source material or established character races for "Son of the Gods" (1930), it is not possible to identify any instance of a character being portrayed as a different race than originally established.
Combines user and critic ratings from four sources