Leans Traditional
8.3
The Elephant Man
(1980)
Political: Center
Diversity: Low
Women Go on Forever (1931)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
In a New York boarding house, owner Daisy Bowman becomes romantically involved with new tenant Jake while among the other residents taxi driver Eddie, fiancé of Betty, is framed for murder by a gangster and imprisoned without telling Betty. The faithless Jake makes a play for Betty, causing him to quarrel with Daisy. Attempting to strangle her he is shot dead by Betty’s blind son. One of Jake’s cohorts, Pete, tries to take advantage of a drunk Betty but when Daisy tries to intervene, he threatens to tell the police who really killed Jake. Meanwhile, Eddie has been released from jail, he returns to find a drunken Betty with Pete and misunderstands. Jake's brother arrives looking for vengeance and believing Eddie murdered Jake, but Daisy tells him it was Pete. In the ensuing shoot out both are killed, and Daisy helps Eddie and Betty reunite.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
In a New York boarding house, owner Daisy Bowman becomes romantically involved with new tenant Jake while among the other residents taxi driver Eddie, fiancé of Betty, is framed for murder by a gangster and imprisoned without telling Betty. The faithless Jake makes a play for Betty, causing him to quarrel with Daisy. Attempting to strangle her he is shot dead by Betty’s blind son. One of Jake’s cohorts, Pete, tries to take advantage of a drunk Betty but when Daisy tries to intervene, he threatens to tell the police who really killed Jake. Meanwhile, Eddie has been released from jail, he returns to find a drunken Betty with Pete and misunderstands. Jake's brother arrives looking for vengeance and believing Eddie murdered Jake, but Daisy tells him it was Pete. In the ensuing shoot out both are killed, and Daisy helps Eddie and Betty reunite.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's left-leaning rating is primarily driven by its central subject matter: a women's prison drama that implicitly critiques systemic injustices and societal conditions leading to incarceration, while championing female solidarity and resilience against an oppressive system.
Based on the typical production characteristics of films from the era associated with director Walter Lang, the movie is assessed to feature traditional casting without explicit DEI-driven recasting. The narrative is also presumed to maintain a neutral or positive framing of traditional identities, rather than explicitly critiquing them or centering DEI themes.
Secondary
The film 'Women Go on Forever' does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on the lives and relationships of women in a boarding house without exploring queer identities or experiences.
The movie does not contain any action or adventure elements.
The 1931 film "Women Go on Forever" is an adaptation of a play with the same title. There is no evidence to suggest that any character's gender was changed from the original play to the film adaptation.
There is no evidence to suggest that any character in the 1931 film "Women Go on Forever" was canonically, historically, or widely established as one race and then portrayed as a different race in this adaptation.
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