Viewer Rating
Combines user and critic ratings from four sources
Cabaret entertainer Ruby Carter shifts her operations to New Orleans and becomes exceedingly popular with the local men.
Cabaret entertainer Ruby Carter shifts her operations to New Orleans and becomes exceedingly popular with the local men.
The film subtly aligns with left-leaning values by championing female independence and sexual agency through its protagonist, Ruby Carter, who consistently challenges traditional gender roles and societal expectations for women of her era.
This film from the 1930s features traditional casting practices, with no apparent intentional diversity-driven casting choices. The narrative does not focus on or critique traditional identities or explicitly incorporate DEI themes.
Belle of the Nineties, a 1934 musical comedy starring Mae West, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships and crime, with no explicit or implicit exploration of queer identity or experiences within its plot or character arcs.
The movie does not contain any action or adventure elements.
Belle of the Nineties is an original film from 1934, not an adaptation or reboot. Its characters were created for this specific production, meaning there are no pre-existing canonical or historical genders to be swapped.
Belle of the Nineties is an original film from 1934, not an adaptation of existing source material or a biopic. Its characters were created for this specific production and therefore lack prior canonical or historical racial establishments.
Combines user and critic ratings from four sources