Apple TVSan Francisco (1936)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 7.6
Overview
A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central narrative, which emphasizes individual moral transformation, the unifying power of traditional community values, and resilience in the face of disaster, aligns its dominant themes with conservative principles rather than advocating for systemic change or progressive ideologies.
The movie features traditional casting without apparent intentional race or gender swaps for its roles. Its narrative maintains a neutral or positive framing of traditional identities, without explicit critique or central DEI themes.
Secondary
The film portrays Christianity, particularly Catholicism through Father Mullin, as a source of moral strength, compassion, and community. It depicts faith as a guiding force that offers solace and redemption, especially in the face of disaster, without any significant counterbalancing critique.
The film "San Francisco" (1936) does not feature any identifiable LGBTQ+ characters or themes. Its narrative primarily focuses on heterosexual romance, class conflict, and the 1906 San Francisco earthquake, with no discernible queer representation.
The movie does not contain any action or adventure elements.
The film "San Francisco" (1936) features an original story and characters, not adapting pre-existing material or historical figures with established genders. Therefore, no characters undergo a gender swap from prior canon or history.
The 1936 film "San Francisco" is an original story, not an adaptation of existing source material or a biopic of historical figures. Therefore, its characters do not have a pre-established race from prior canon or history to be altered.
Viewer Rating Breakdown
7.6
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.1
6.6
Critic Ratings
9.2
N/A
More Like This
Leans Traditional
7.6
Rose Marie
(1936)
Political: Center
Diversity: Low
Leans Traditional
7.9
Maytime
(1937)
Political: Center
Diversity: Low
Traditional
8.7
Gone with the Wind
(1939)
Political: Strong Right
Diversity: Low
Leans Traditional
7.0
Boom Town
(1940)
Political: Center
Diversity: Low
Leans Traditional
7.2
Dancing Lady
(1933)
Political: Center
Diversity: Low
Traditional
6.9
Possessed
(1931)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
Red Dust
(1932)
Political: Center
Diversity: Low
Traditional
7.4
Woman of the Year
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
7.7
Walk the Line
(2005)
Political: Center
Diversity: Low
Leans Traditional
6.8
Deception
(1946)
Political: Center
Diversity: Low
Traditional
7.6
The Sound of Music
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
5.8
Bitter Sweet
(1940)
Political: Center
Diversity: Low
Leans Traditional
6.8
Young Man with a Horn
(1950)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Great Ziegfeld
(1936)
Political: Center
Diversity: Low
Leans Traditional
7.3
Alexander's Ragtime Band
(1938)
Political: Center
Diversity: Low
Leans Traditional
8.2
Fury
(1936)
Political: Center
Diversity: Low
Leans Traditional
6.6
New Moon
(1940)
Political: Center
Diversity: Low
Leans Traditional
6.9
Big City
(1937)
Political: Center
Diversity: Low
Leans Traditional
8.6
It Happened One Night
(1934)
Political: Center
Diversity: Low