The US Government tries to track down embedded Nazi agents in the States.
The US Government tries to track down embedded Nazi agents in the States.
The film's dominant themes align with conservative values, as its central thesis champions the necessity and effectiveness of government intelligence agencies (FBI) and national unity in defending the homeland against foreign threats during wartime.
This 1945 spy thriller features a cast predominantly composed of white actors, consistent with its historical setting and the typical casting practices of its era. The narrative frames traditional identities, particularly the white male FBI agents, in a positive and heroic light, without any explicit critique or focus on diversity, equity, or inclusion themes.
The film 'The House on 92nd Street' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is solely focused on a post-WWII espionage plot involving the FBI and Nazi spies, with no elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The House on 92nd Street is an original film from 1945, not an adaptation or reboot of pre-existing characters. Its characters were created for this film, thus lacking prior canonical or historical gender to be swapped.
The House on 92nd Street is an original film from 1945, not an adaptation of pre-existing material with established character races, nor does it feature real historical figures whose race would be documented. Therefore, no characters could have been race-swapped.
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