A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.
A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.
The film's central focus on romantic fantasy, individual self-expression, and lighthearted entertainment does not engage with explicit political commentary or promote specific ideological viewpoints, leading to a neutral rating.
The movie features a traditional main cast without explicit race or gender swaps of roles. Its narrative is a romantic musical comedy that does not critique traditional identities or incorporate explicit DEI themes.
The film 'The Pirate' does not feature any identifiable LGBTQ+ characters or themes within its narrative. Its plot centers on a heterosexual romance and comedic situations, resulting in no specific portrayal to evaluate under the provided rubric.
The film is a musical comedy. While female characters are present, none engage in or win direct physical combat against male opponents using hand-to-hand skills or melee weapons. Action sequences primarily involve dance and comedic situations, not combat feats.
The film "The Pirate" (1948) is an adaptation of a 1942 play. A review of the main characters and their portrayals indicates no instances where a character's established gender from the source material was changed in the film.
The film "The Pirate" (1948) is based on a play by S. N. Behrman. The characters, such as Manuela and Serafin, were not established as a different race in the source material than how they were portrayed by the cast, which included Judy Garland and Gene Kelly. There is no evidence of a race swap.
Combines user and critic ratings from four sources