Apple TVOne Minute to Zero (1952)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 5.8
Overview
An idealistic United Nations official learns the harrowing truth about war when she falls in love with an American officer charged with the evacuation of civilians. As hostilities escalate, the officer and his small detachment are left to hold the line until allied forces can be brought into action.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
An idealistic United Nations official learns the harrowing truth about war when she falls in love with an American officer charged with the evacuation of civilians. As hostilities escalate, the officer and his small detachment are left to hold the line until allied forces can be brought into action.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Traditional
Primary
The film's dominant themes align with right-leaning values by emphasizing the necessity of military action and difficult decisions to combat communist aggression during the Korean War, despite acknowledging the tragic human cost.
The film utilizes traditional casting with a predominantly white ensemble, consistent with Hollywood productions of its era. The narrative frames traditional identities in a neutral to positive light, without incorporating explicit DEI themes or critiques, reflecting the filmmaking conventions of the early 1950s.
Secondary
The film portrays Christianity as a source of moral guidance and comfort amidst the brutality of war. Characters often grapple with ethical dilemmas, and their faith provides a framework for understanding their actions and seeking solace, affirming its role in resilience.
The film "One Minute to Zero" does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on a heterosexual romance between a UN colonel and a Red Cross worker during the Korean War, with no elements related to queer identity or experiences present in the storyline.
The movie does not contain any action or adventure elements.
This 1952 film is an original production, not an adaptation of existing source material or a reboot with established characters. Therefore, there are no pre-existing canonical or historical characters whose gender could have been altered for this portrayal.
This 1952 film is an original production, not an adaptation of existing source material or a biopic of specific historical figures. Its characters were created for this movie, meaning there is no prior canonical or historical racial establishment to be altered.
Viewer Rating Breakdown
5.8
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
5.8
5.8
Critic Ratings
N/A
N/A
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