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Hard-boiled archeologist Mark Brandon is searching for ancient tombs in Egypt when he is approached by beautiful Ann Mercedes, who convinces him to help her fulfill her deceased father's life's ambition - to provide solid proof of the biblical Joseph's travels in ancient Egypt. As an ex-pupil of Ann's father, Mark accepts and the two embark on a search for the tomb of the Pharoah Ra Hotep, said to have had some connection with Joseph. The trail to the tomb is fraught with intrigue, betrayal, murder, and the possibility that the tomb itself has been emptied of all its artifacts by ancient looters.
Hard-boiled archeologist Mark Brandon is searching for ancient tombs in Egypt when he is approached by beautiful Ann Mercedes, who convinces him to help her fulfill her deceased father's life's ambition - to provide solid proof of the biblical Joseph's travels in ancient Egypt. As an ex-pupil of Ann's father, Mark accepts and the two embark on a search for the tomb of the Pharoah Ra Hotep, said to have had some connection with Joseph. The trail to the tomb is fraught with intrigue, betrayal, murder, and the possibility that the tomb itself has been emptied of all its artifacts by ancient looters.
The film's central subject matter of archaeological adventure and romance is inherently apolitical, and its narrative focuses on individual perseverance and discovery without promoting specific progressive or conservative ideologies.
The movie features traditional casting with white leads and no explicit race or gender swaps of traditionally white roles. Its narrative positively frames traditional identities, focusing on adventure and discovery by Western characters without explicit DEI themes or critiques.
The film portrays the protagonist's Christian-inspired quest to find archaeological proof of biblical narratives with respect and seriousness. Her faith-driven motivation is presented as a noble pursuit, leading to significant discoveries without being undermined or satirized by the narrative.
The film "Valley of the Kings" (1954) does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on adventure and romance within an archaeological expedition in Egypt, with no elements related to queer identity.
The film features Ann Barclay, who is involved in an archaeological adventure in Egypt. While she faces danger and participates in the expedition, there are no scenes depicting her engaging in or winning close-quarters physical combat against male opponents.
The film "Valley of the Kings" (1954) is an original adventure story and does not adapt characters from any prior canonical source material or historical record. All main characters were created for this film, thus precluding any gender swaps.
The film "Valley of the Kings" (1954) features original characters created for the movie, rather than adapting pre-existing canonical figures or historical individuals with established racial identities. Therefore, no race swap occurred.
Combines user and critic ratings from four sources